Choose an image that attempts to freeze time as part of a narrative and discuss
- one A3 sheet research
- on dropbox/blog
- the story
- what the artist is trying to portray
- what has been stated and what hasn’t been
I instantly thought of the controversial black and white photographs of Larry Clark when this task was set in the lecture and decided to look into his work. Through internet research I came across this image and chose to research further into it.
I chose to look at an article based on this image to understand and create a link between History of Photography and how its portrayed through Journalism.
Work/Image: ‘My best shot’  Larry Clark
The frozen moment, a camera capturing and locking in that exact event, stopping time and sealing it within it’s memory. This striking and controversial photograph by Larry Clark depicts a man appearing to be in pain, his half naked body covered by blood stained bedsheets, a woman with her head in her arms and a small hand-gun beside them both.
“He shot himself by accident. He was fine – it was just a flesh wound, and it meant he got a lot of good drugs”
At first glance of studying this photograph to analyse it, the scenario looks quite seedy as its set in a bedroom, in particular the man laid in bed, appearing half naked, covered by bedsheets, the woman in front of him, her head in her hands. Perhaps she’s guilty or didn’t expect this to happen. His body posture gives the impression of pain but also lack of control, he doesn’t look to be ‘sober’. Her face is covered by her hands, her features seemed to have been absorbed by her mane of dark hair, making her anonymous yet identifiable.
Taken in 1971 when consumed by drugs, this makes me think that Larry Clark may not have been in full control of himself, but still somehow managed to compose his camera, the shot and document this illicit scene.
Interview explanation by Larry Clark:
I took this in 1971. It was such a long time ago, like a different lifetime. The man’s name was Gene Knight. He was an old friend – I’d known him for most of my life. We were all taking drugs, and he had this little pistol in his pocket. He reached in there to get it and shot himself in the leg. It was an accident.
I stood in the corner, taking pictures. When something like this happens, you have to turn pro and just do your job. The girl looked up at me and said something like: “You’re the coldest motherfucker I ever met.” Like I’m supposed to take the bullet out of his leg. It was a very strange place to be: it was as if I were one of the people in the photograph, only I had a camera. I can split myself in two and have some distance.
He was fine in the end, it was just a little flesh wound. But we carried him around to a couple of doctors and got prescriptions for some kind of synthetic morphine you could only get for cancer and gunshot wounds. So shooting himself actually meant he got a lot of good drugs.
I had started photographing my friends in 1962, but with no idea of ever doing a book at all. I was just practising. Really, I wanted to make a film, but it was impossible to do it on my own. So in 1970 I thought about finishing up a book, and I laid it all out with the pictures I’d already taken. I was determined to get in everything that I’d seen over the years, so I went back to live in Tulsa, Oklahoma (I’d been living in New York). I knew what photographs I needed to finish the book because I knew the Tulsa life so well.
I knew when I went back that certain things would happen, including violence. I didn’t know when those things would happen, or where they would happen, but I was ready for them. I was ready for anything
Looking at the work of photographer Larry Clark I can relate to being interested in his work topically as he chooses such extreme controversial moments to capture. I instantly wanted to use some of his imagery within my research as I find it gives insight into the kind of photography that causes a reaction and stands out to the audience. I decided to look into a magazine article based on Larry Clark to find out how he is portrayed through Journalism and their personal approach to writing about and interviewing him. This strengthened my understanding of how Photography can relate directly to Journalism and is used consistently as a way of writing an article. I found it particularly interesting to read the article and see the interview techniques to carry forward to my own practice of journalism.